Intrepid journalist Hank Talbot continues his exposé of the disturbing political agenda behind the zoo world facebook propaganda blitz.
After some preliminary analysis of the ad’s text, some in-depth examination of the text in the graphic, and a comparative look at two live-show strip clubs, we’re ready to delve deeper into the politics behind the pulchritudinous pandas ad.
Intrepid journalist Hank Talbot continues his exposé of the disturbing political agenda behind the zoo world facebook propaganda blitz.
As I commence this third chapter in the sordid story of zoo world facebook indoctrination, I am again filled with regret. I am, after all, 27, single, and on facebook. It should come as no surprise that the preponderance of facebook ads directed my way include lots of attractive women, cleavage, or some combination of the two. Very few, if any, of these ads seem to be concerned with political subversion. It is with great reluctance that I once again shoulder the burden of journalistic duty, ignore the bodacious babes, and return to the thankless task of thwarting the thinly-veiled ideological extremism behind the zoo world propaganda machine.
Intrepid journalist Hank Talbot continues his exposé of the disturbing political agenda behind the zoo world facebook propaganda blitz.
We have the dots. We have the history of the dots. We have the histories of some dots that only tangentially relate to the dots we started with. We have even connected most of the dots. Now we fill in the last few lines, stand back, and see the full picture.
Intrepid journalist Hank Talbot continues his exposé of the disturbing political agenda behind the zoo world facebook propaganda blitz.
A simpleton might jump to the conclusion that the ferris wheel represents American democracy or some such nonsense. This notion, perhaps fueled by the presence of “George Washington” in the name of the wheel’s inventor (George Washington Gale Ferris, Jr.), is lacking a larger historical perspective. Identifying the wheel with capitalism is similarly small-minded. The fact that Ferris’s Chicago Wheel made a good deal of money only serves to underscore the magnitude of the thievery of the Columbian Exposition’s planners, who absconded with the profits and left poor Ferris . . . well, poor.
Intrepid journalist Hank Talbot continues his exposé of the disturbing political agenda behind the zoo world facebook propaganda blitz.
The ambiguity of the term “merry-go-round” makes it difficult to pin down an exact symbolism intended by the propagandist—which is, without a doubt, exactly what he (or she) intended! Recall the discussion from reign czech, pt. 2, where we examined the brilliant use of the rhetorical question in this zoo world ad. If we are unable to determine exactly what type of device is meant by “merry-go-round,” a degree of uncertainty attaches itself to the term in our subconscious. We are uncertain, meaning we do not fully understand what is intended by the ad’s author. Recall the great axiom of tolerance: “we fear what we do not understand.” If we do not understand the exact meaning of the term, we therefore fear the term. And fear, my friend, is the most powerful weapon in the propagandist’s arsenal.